So, you're wondering how to design a logo? The truth is, logo design takes skill and experience, but also knowledge. Certain elements of the process come with a lot of practice and working with a variety of different brands that aim to communicate different messages. Behind all that, though, is theory and the golden rules that logo designers must be familiar with.
When the perfect logo is aligned with the right product, the branding is a priceless asset think the Nike swoosh, the Michelin man and McDonald's golden arches. But how exactly do these logo designs achieve their iconic status and immediate recognisability? There are certain traits held by most successful logo designs, and you can tap into them.
Starting a new logo design project can feel overwhelming as there's a lot to consider. Creating a new logo design from scratch means considering how to perfectly capture and communicate the brand's character. And updating an existing logo means all kinds of pitfalls, including deciding whether to completely change the direction of the brand or just make small tweaks.
Luckily, there are some rules worth coming back to. Our guide boils them down to 15 points, focusing on how to design a logo and how to implement a logo design as part of a wider brand strategy. First, we'll run through designer David Airey's 10 rules for the perfect logo and then turn to brand content strategist Nick Carson's top tips for implementing a logo design. Need more advice? See our guide to logo design inspiration, our selection of the best 3-letter logos ever made and our 11 steps for creating better logos.
Why learn how to design a logo?
First up, let's just remind ourselves of why logo design is so important. A logo is usually the first piece of branding that a potential customer sees. It's also usually the piece that makes the biggest impression on us and stays with us the longest (if it's successful, that is). A logo can tell us a lot about a brand, including (sometimes) what a brand does and what it stands for. When consumers connect with a logo design, they're often more inclined to invest their time or money in the company or product.
Logo design is by no means the only element in successful branding, but it's one that needs to be got right from the outset because it's often at the centre of the whole brand strategy. And while most designers can create a reasonably decent logo, it takes a special mix of design skills, creative theory and skilful application to execute a logo design that's truly unique, appealing and memorable. Take a look at our selection of the best logos for examples.
The golden rules of how to design a logo
There are hundreds, even thousands of brands competing for our attention, and this means brands need to differentiate themselves visually.This differentiation is achieved through brand identity design a range of elements that work together to create a distinctive picture of the brand in our minds. Brand identity design can include everything from uniforms, vehicle graphics, business cards, product packaging, billboard advertising and coffee mugs and other collaterals, all the way through to photographic style and the choice of fonts.
When you think about a person whos made some kind of impact on your life, you can probably picture what they look like. The same applies to brands. And a logo acts as a brand's face, allowing people to connect with it and remember it. The aim of logo design should therefore be to create something that people can easily picture when they think about their experiences with a product, company or service.
When we look at something, we dont read first. Before anything else we see shape, we see colour, and if thats enough to hold our attention, then well read
When we look at something, we see shape and colour before we read. Only if thats enough to hold our attention do we start to read. The job of designers is to distil the essence of a brand into the shape and colour thats most likely to endure. Below designer David Airey (opens in new tab) offers his 10 golden rules of logo design to help you do just that.
01. Do the groundwork
Logos like those of Mercedes and Woolmark have become priceless assets for their companies
One of the most interesting parts of being a designer is that you get to learn new things with each project. Every client is different, and even in the same profession, people do their jobs in different ways.Logo design should begin with some groundwork. Getting to know the client and their product well help you choose the strongest design direction and make it easier to get a consensus on your logo design further down the line.
Make sure you ask your client why they exist. What do they do, and how do they do it? What makes them different from other brands? Who are they there for and what do they most value? Some of these questions might seem so straightforward that they're unnecessary, but they can be challenging to answer and will lead to more questions about your clients businesses. What you discover in this initial phase of a project can really help ensure that you don't miss the market when you start developing your logo design.
02. Use a sketchpad
Sketches of Firefox mascots by Martijn Rijven, who was commissioned by Wolff Olins
With the many digital tools available today, you might consider going straight to your computer to create a logo design, but using a sketchpad gives you a chance to rest your eyes from the glare of brightly lit pixels and, more importantly, record design ideas much more quickly and freely. With no digital interface in the way, you have complete freedom to explore, and if you wake up in the night with an idea you dont want to lose, a pen and paper by your bedside is still the best way to get it down.
Sketching makes it easier to put shapes exactly where you want them there will always be time to digitise your marks later (see our sketching tips for more advice). It can also be useful to share some sketches when youre describing design ideas to clients prior to digitising a mark. This can make it easier for them to visualise the result without the distraction of typefaces and colours, which can sometimes cause clients to dismiss a whole idea. Dont share too much though; only your best ideas.
03. Start in black and white
The internal detail of the Apple logo has changed over the years, but the silhouette remains
As we mentioned above, colour is an important part of branding, but it can sometimes be a distraction, and one that can make it difficult for a client to consider the basic concept of the logo. Leaving colour until later on in the process can allow you to focus on the idea of your logo design itself rather than on an element thats usually much easier to change.
It's impossible to rescue a poor idea with an interesting palette, but a good idea will still be good irrespective of colour. If you picture any well-known symbol, in most cases you'll think of the form first before the palette. Its the lines, shapes and the idea itself that is most important, whether it's a bite from an apple, three parallel stripes, four linked circles in a horizontal line, or anything else.
04. Keep your logo design appropriate
Pentagram founder Alan Fletcher created the V&A logo in 1989 (Image credit: V&A)
A logo design needs to be relevant to the ideas, values and activities it represents. An elegant typeface will suit a high-end restaurant better than it will a childrens nursery. Likewise, a palette of fluorescent pink and yellow probably won't help your message engage with male pensioners. And crafting a mark that bears any resemblance to a swastika, regardless of the industry, just isnt going to work.
You know these things, and they may seem fairly obvious, but appropriateness goes deeper than this. The more appropriate your rationale behind a particular design, the easier it will be to sell the idea to a client (and this can be the most challenging part of a project. Remember, designers dont just design. They sell, too).
05. Make your logo design easy to recall
The 1974 Deutsche bank logo by Anton Stankowski (Image credit: Deutsche Bank)
A good logo design is memorable, allowing a brand to stay in a potential customer's mind despite other brands competition for their attention. How can that be achieved? Simplicity should be your watchword here. A really simple logo can often be recalled after as little as brief glance, something thats not possible with an overly detailed design.
A trademark has to be focused on a concept; on a single story. In most cases, this means it should have an uncomplicated form so that it can work at different sizes and in a range of applications, from a website icon in a browser bar to signage on a building.
06. But strive to be difference
The 1999 Tate logo by Wolff Olins united the Tates four galleries across the UK
If a brand's competitors are all using the same typographic style, the same kind of palette, or a symbol placed to the left of the brand name, this is the perfect opportunity to set your client apart rather than have them blend in.Doing something different can really help your logo design stand out.
So much similarity in the marketplace doesnt necessarily mean your job has become easier, though. It often takes a brave client to buck a trend that they see all around them. However, showing imagination in your design portfolio is one good way to attract the kind of client you want, and demonstrating the appropriateness of your concept can help see off any qualms.
07. Consider the wider brand identity
Wolff Olins created a bespoke typeface for Macmillan cancer support in 2006 for use in both its logo and marketing headlines
We don't usually see a logo in absolute isolation. It's usually presented in the context of a website, a poster, a business card, an app icon, or all manner of other supports and applications. A client presentation should include relevant touchpoints to show how the logo appears when seen by potential customers. Its a little like when youre stuck in a rut it can help to step back, to look at the bigger picture, to see where you are and what youre surrounded by.
In design terms, the bigger picture is every potential item on which your logo design might appear. Always consider how the identity works when the logo isnt there too. While it's hugely important, a symbol can only take an identity so far. One way to achieve cohesive visuals is to craft a bespoke typeface for your logo. That typeface can then also be used in marketing headlines.
08. Dont be too literal
The logos for Penguin and Shell don't give any clues as to the types of company they represent
A logo doesnt have to show what a company does; in fact, its often better if it doesnt. More abstract marks are often more enduring. Historically youd show your factory, or maybe a heraldic crest if it was a family-run business, but symbols dont show what you do. Instead, they make it clear who you are. The meaning of the mark in the eyes of the public gets added afterwards, when associations can be formed between what the company does and the shape and colour of its mark.
09. Remember symbols arent essential
Johnson Banks 2004 wordmark for shelter with its pitched roof h helped reposition the housing charity (though it has recently had a redesign)
A logo doesn't always need to be a symbol. Often a bespoke wordmark can work well, especially when the company name is unique just think of Google, Mobil, or Pirelli. Dont be tempted to overdo the design flair just because the focus is on the letters. Legibility is key with any wordmark, and your presentations should demonstrate how your designs work at all sizes, large and small.
Of course, words sometimes just won't work in very small applications, so variations may be needed. This might be as simple as lifting a letter from the logomark and using the same colour, or it might incorporate a symbol that can be used as a secondary design element (wordmark first, symbol second) instead of as a logo lockup where both pieces are shown alongside one another.
10. Make people smile
Designed in 2000, turner Duckworths wordmark for Amazon adds wit with a hidden smile that goes from A-Z
Finally, injecting a little wit into your logo design not only makes your job more fun; it can also help your client to become more successful. It's not appropriate for every brand or every industry (it certainly doesn't make sense for weapons manufacturers and tobacco firms, but whether you choose to work with such companies is another thing). However, the somewhat less contentious law and financial sectors are filled with companies identified by stuffy and sterile branding. Adding a little humour into such clients' identities can help set them apart.
Theres a balance to be achieved. Take it too far and you risk alienating potential customers. However, regardless of the company, people do business with people, so a human, emotional side to your work will always have a level of relevance.
How to implement your logo design
So you've got a logo design ready, now how do you apply it? A logo design doesnt exist in isolation. Once youve perfected your design, the final stage is to bring it to life as part of a wider branding scheme.In this section, Nick Carson (opens in new tab) provides five logo design tips to help you master this crucial final stage.
11. Always get a second opinion
Logo for the Brazilian Institute of Oriental Studies. Presented without comment
Dont underestimate the value of a second (or third) pair of eyes to identify things that you might have missed during the design stage. It's incredible how easy it is to overlook possible cultural misunderstandings, unfortunate shapes or unintended innuendos, words and meanings (see our logo design fails for examples).
Once youve worked up your logo design concept, always take the time to sense-check it with other people. Many design studios advocate pinning work-in-progress up on the walls to enable constant peer review. It's often easier to notice something pinner up on a wall on paper than on a screen. If youre a lone freelancer, try to find some trusted peers to cast an eye over your work and return the favour, of course. And remember to check how it looks from every angle and on different shaped supports.
12. Develop the rest of the brand world
A logo design is just one small component of a branding scheme and should be developed in tandem with other activation points as part of a wider brand world. This term is integral to the branding process at London agency SomeOne. (opens in new tab) As co-founder Simon Manchipp sets out in the video interview with Computer Arts magazine above, its much better to achieve coherence between different elements than simply consistency.Consistency is solitary confinement the same thing every day, he laments. Cohesive is different: a more flexible, smarter way of doing things.
13. Consider how to bring your logo design to life
In the modern branding marketplace, a static logo that sits quietly in the corner of a finished piece of design is often no longer enough. You'll need to think about how your logo design could come to life in motion for digital applications That might require collaboration with animation or motion graphics specialists to explore its potential.
Here are a couple of examples of logos brought to life through animation: firstly, Function Engineering by Sagmeister & Walsh, which adds a playful, Meccano-like twist to the mark. Sagmeister & Walsh is no more, but you can see our story on Jessica Walsh's studio &Walsh.
Second up, this logo design for the University of the Arts Helsinki by Bond (opens in new tab), bends, twists and distorts to enhance the dynamic, modern feel of the type-led logo.
University of the Arts Helsinki's animated logo twists and jumps
As VR trends continue to evolve, more advanced immersive brand experiences are becoming increasingly accessible. Branding agencies have also explored the potential in generative design and user participation to introduce a much more dynamic, unpredictable component to logo design. This isn't always possible, but it's good to keep an open mind and experiment with new techniques when you can.
14. Help your client to roll out your logo design
Handing off your finished logo design and leaving the brand to use it as it sees fit can be a recipe for disaster. You should aim to provide the client with a style guide offering clear, thorough guidelines of how they should (and shouldn't) use your logo design. This should cover everything from colour options, to the minimum and maximum sizes at which logo designs should be used, positioning rules, spacing (including exclusion zones from other design elements) and any definite no-nos, such as stretching or distorting.
See our favourite style guides to see how it's done. Some agencies swear by style guides to ensure a smooth, consistent handover to a clients in-house team, but there are others that feel they can be overly restrictive and prescriptive. Either way, your client will need some form of guidance on how to apply the logo design to ensure it works as intended.
15. Accept public criticism of your logo design
DesignStudios high-profile rebrand of Premier League attracted more than its fair share of criticism from traditionalist football fans
In the era of social media, every man and his dog has an opinion about every logo design that's up out there. Criticism is therefore no longer an occasional annoyance or something that might come only from professionals. It's something that anyone working on a relatively high-profile rebranding exercise should be ready for.
As weve mentioned above, a great branding scheme is about much more than just a logo design, but on platforms such as Twitter, when a newly released project is often summed up with a single image, the logo is often the first (and only) thing the public jumps on.This is something you need to accept as inevitable.
London-based DesignStudio (opens in new tab) has experienced such a backlash several times, including with its work for Airbnb and the Premier League. In the video above, its former executive creative director James Hurst, now global creative director at Pinterest, explains how the studio handled social media criticism.
Johnson Banks open-source Mozilla rebrand whittled down various creative routes in the public eye, taking feedback on board
Another example of how to handle, and even harness, the increased public interest in logo design is the case of Mozilla. Johnson Banks (opens in new tab) used public feedback in the design process itself through a hugely ambitious, fully open-source rebrand of Mozilla's brand identity. The project involved the public at key stages and allowed public opinion to steer the creative routes chosen.Firefox also took a similar route in 2018, asking the public to help pick its new logo.
Of course, a designer needs to also remember that the public's initial reaction isn't always going to be a measure of the long-term success of a logo. Be thick-skinned: take valuable feedback on board, and let the rest wash over you.
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